On September 12th, 13th and 15th I performed as principal bassoon of the Winston-Salem Symphony a program which included Theofanidis’ Rainbow Body, Tchaikovsky’s Suite from Swan Lake and Rachmaninoff’s Piano Concerto no. 3. Robert Moody conducted and the piano soloist was Terrence Wilson. Read the review here.

An article appeared recently in the North Carolina newspaper YES! Weekly from an interview I gave writer Keith Barber. A link to the article is here.

The following is Saxton Rose’s performance and event schedule for the 2009/2010 season. It is subject to change so if you have questions about attending an event, please contact me.
Map to University of North Carolina School of the Arts.

September 12, 13, 15:

Performances with the Winston-Salem Symphony including Rachmaninoff’s Piano Concerto no. 3 and Suite from Swan Lake by Tchaikovsky.

October 2, 4, 6:

Performances with Piedmont Opera of Hansel and Gretel, More information

October 10:

Performance with the Winston-Salem Symphony and pianist Awadagin Pratt. 7:30 pm Reynolds Auditorium.

October 27, 28:

Solo recital and master class at Ball State University in Muncie, Indiana. Contact Keith Sweger ksweger@bsu.edu for more information.

October 29, 30:

Solo recital and Masterclass at the University of Illinois at Urbana-Champaign. Contact Timothy McGovern tsmcgove@uiuc.edu for more information.

November 22, 24:

Performances with the Winston-Salem Symphony including Peace Overture for Orchestra by Peck; Schicksalslied (Song of Fate) by Brahms; Requiem by Lloyd Webber

December 5:

Woodwind Day at UNCSA. Bassoon master class, reed making seminar, bassoon ensemble concert and a performance with the UNCSA woodwind faculty including Beethoven’s Duo for Bassoon and Clarinet with Alexander Fiterstein and a solo performance. Download the flyer or contact me for more information.

December 8:

Guest artist recital and master class at UNCSA featuring the bassoon duo Tuple, Rachael Elliott and Lynn Hileman. 4:30pm in Hood Recital Hall. Please contact me for more information.

December 15, 16, 21:

Performances with the Winston-Salem Symphony of Handel’s Messiah

January 16:

Performance of Stravinsky’s Histoire du soldat/The Soldier’s Tale with Oleander Chamber Orchestra in Wilmington, NC.

February 5:

Performance as soloist with UNCSA contemporary music ensemble nu of Philippe Hersant’s Huit pièces pour basson et ensemble instrumental. Ransom Wilson conducting.

February 6, 7 and 9:

Performances with the Winston-Salem Symphony of Shostakovich’s Symphony no. 10 in E minor, op. 93 and Gershwin’s Piano Concerto in F Major

February 13:

Performance of Mejunje del fagobongo for bassoon and bongo by Alfonso Fuentes; Latin Love Op. 82 by Miguel del Aguila for wind quintet and piano; El Corazón Delator (The Accusing Heart) by Eduardo Morales-Caso for bassoon, flute and clarinet. Tadeu Coelho, flute; Joseph Robinson, oboe; Alexander Fiterstein, clarinet; David Jolley, horn; John R. Beck, bongo. 7:30 p.m., Watson Chamber Music Hall at UNCSA.

February 15:

Solo recital and Masterclass at Indiana University Jacobs School of Music in Bloomington, IN. Contact William Ludwig wludwig@indiana.edu for more information.

February 16:

Solo recital and Masterclass at Butler University in Indianapolis, IN. Contact Douglas Spaniol dspaniol@butler.edu for more information.

February 25:

Keith Sweger, bassoon professor at Ball State University recital and master class at UNCSA. 3:45pm master class in Hood Recital Hall, 8pm recital in Crawford Hall. Please contact me for more information.

March 13, 14, 10:

Performances with the Winston-Salem Symphony including Brandenburg Concerto no. 2 in F Major by Bach, Concerto for Mandolin by Thile

March 27:

Solo recital at UNCSA. “Guided by Voices: Music for Bassoon Inspired by Song” Program includes works by Phillipe Hersant, de Falla, Donizetti and Brahms. With pianist Karen Beres, violist Sheila Browne and soprano Elizabeth Pacheco Rose. 7:30 p.m., Watson Chamber Music Hall at UNCSA

April 9, 11, 13:

Performances with Piedmont Opera of Turandot, More information

April 10:

Performance with the Winston-Salem Symphony and Chris Botti, trumpet

April 15:

Solo recital and master class at Lawrence Conservatory of Music in Appleton, Wisconsin. Contact Monte Perkins monte.perkins@lawrence.edu for more information.

April 16:

Solo recital and master class at the University of Wisconsin – Madison. Contact Marc Vallon vallon@wisc.edu for more information.

April 19:

Solo recital and master class at the University of Minnesota – Duluth. Contact Jefferson Campbell jcampbel@d.umn.edu for more information.

April 26-May 1:

Teaching residency at the Universidad de Costa Rica in San José. Solo recital as part of the ‘Martes por la Noche’ concert series April 27th. Contact Isabel Jeremis at fagotisa@hotmail.com for more information.

May 16, 17:

Performances with the Winston-Salem Symphony of Mahler’s Symphony no. 5

May 20:

Performance of the Mozart Concerto for Bassoon with the Orquesta Sinfónica Nacional de Colombia in Bogotá

May 18-22:

Judge for the Bassoon Competition in Bogotá, Colombia as part of the ‘Encuentro Nacional de Fagotistas’ sponsored by the Orquesta Sinfónica Nacional de Colombia. Master classes May 17, 18, 19, 20, 2010

May 23-26:

Performance of Vivaldi Bassoon Concerto with Orquesta Sinfónica de Caldas in Manizales, Colombia. Teaching residency, solo recital.

June 16:

Performance with Dark in the Song, a new bassoon ensemble at The White Mule, a music bar in Columbia, SC. The performance will feature adventurous new music for amplified bassoon ensemble by Jacob Ter Veldhuis, David Lang, David Smooke and Zoe Keating.

June 22:

Performance with Dark in the Song, a new bassoon ensemble at the International Double Reed Society Conference in Norman, OK. The group is Peter Kolkay, Michael Harley, Rachael Elliott, Lynn Hileman and myself. The recital will feature works by Jacob Ter Veldhuis, David Lang, David Smooke and Zoe Keating.

July 18-23:

Faculty teaching residency and performances as principal bassoon at the Indiana University Jacobs School of Music Summer Music Festival. Music of Wagner, Mahler, Strauss with Lawrence Renes, conductor. More information

July 24-31:

Performances and teaching residency at the Quartz Mountain Music Festival and Orchestra Academy. More information

From July 19-26 I visited Birmingham, England to attend the International Double Reed Conference. The IDRS conference is held during the summer once a year, each time in a different location throughout the world. This year’s event in Birmingham marked the first conference in the UK for 20 years and was a terrific success. In addition to performing at this year’s conference, I assisted in the videography of performances and master classes for publication on IDRS.org, the website of the International Double Reed Society for which I serve as assistant editor. Look for the new videos soon at http://www.idrs.org/multimedia/.

On July 12th and 13th I performed as part of the Highlands-Cashiers Chamber Music Festival in the beautiful mountains of southwestern North Carolina. The festival, in its 28th season, is a terrific music festival with top-notch performers in a gorgeous setting. Along with Laura Ardan (principal clarinetist of the Atlanta Symphony), oboist John Dee (professor at University of Illinois) and pianist Will Ransom (director of the festival), I performed the Villa-Lobos trio for oboe, clarinet and bassoon; Poulenc’s trio for oboe, bassoon and piano; and a set of solo Fantasie by Telemann.

On May 29 I performed as principal bassoonist with the Puerto Rico Symphony Orchestra on the final concert of the 2008/2009 season. The program included Ginastera’s Estancia: Cuatro danzas, Op. 8; Ravel’s Rapsodia española and Rimsky-Korsakov’s Shéhérazade. Maximiano Valdés, the music director of the PRSO conducted. The concert took place in Sala Festivales at Centro de Bellas Artes in what hopefully will be the last season concert in the old symphony hall. Performances are scheduled to begin next season in the newly inaugurated La Sala Sinfónica Pablo Casals.

On May 16, 17 and 18 I performed Beethoven’s Symphony No. 9 as principal bassoonist with the Winston-Salem Symphony. The concert also included Barber’s Adagio for Strings. The concerts took place at the Stevens Center in Winston-Salem with Bob Moody conducting; Lisa Saffer, soprano; Rita Litchfield, mezzo-soprano; Tony Stevenson, tenor; Patrick Carfizzi, baritone.

Over this last weekend I performed concerts as principal bassoonist with the Winston-Salem Symphony that included de Falla’s El sombrero de tres picos (The Three-Cornered Hat), Rodrigo’s Concierto Andaluz, Turina’s Danzas fantásticas, op. 22 and Ravel’s Boléro. The soloists in the Rodrigo were Joe Pecoraro, Colin Fullerton, Ryan Layton, and Andrew Motten. Bob Moody conducted. The concerts took place April 17, 19, and 21st at the Stevens Center in Winston-Salem.
See the review

MUSICA PICCOLA: June 21 – July 4, 2009 at the University of North Carolina School of the Arts in Winston-Salem, NC.

Musica Piccola is a highly popular and fast-paced, two-week program for all of the orchestral and band instruments. Bassoon students in Musica Piccola take part in orchestra, chamber music, master classes and receive private lessons with me. The program culminates with an orchestra concert at the beautiful Stevens Center located in downtown Winston-Salem, and solo and chamber music performances in UNCSA’s Watson Chamber Music Hall. Scholarships are available.

More information: http://www.summermusicprogram.org/

Downloadable brochure: http://www.ncarts.edu/summersession/SSApplication.pdf

Tuition & housing fees, required forms, and application information:
http://www.ncarts.edu/summersession/musicPIC.htm

I recently performed Bachianas Brasileiras No. 6 For Flute and Bassoon by Heitor Villa-Lobos with flutist Tadeu Coelho. This beautiful and challenging work was a joy to rehearse and perform with my colleague Tadeu. The performance was part of professor Coelho’s recital on the campus of UNCSA in Watson Recital Hall. Also on the program was a Vivaldi sonata for flute performed by myself playing basso continuo with David Winkelman on harpsichord.